近親相姦中文字幕在线_日韩 欧美~中文字幕_國產亂倫在線看

Into the Open

In the last few years the notion of ‘openness’ in reference to the creation of physical objects has been growing and spreading in a way that could, for many, be revolutionary. In the field of design and production this has meant that people have the possibility to ideate, conceptualise, design, prototype and finally produce different objects with increasing levels of freedom. The notion of “freedom”, in this case, could be explained through two different meanings: open source and open manufacture.

Open source is a movement born within the software developer community, with the aim of permitting (almost) everyone access to build off or ‘improve’ any kind of software with an open license. Whilst this process has brought notable and well-known successes - such as Linus or Firefox - what happens if we apply the same process for hardware or physical objects?
Some things are the same, for example the four different degrees of freedom:

Freedom 0近親相姦中文字幕在线_日韩 欧美~中文字幕_國產亂倫在線看: The freedom to use the object for any purpose.

Freedom 1近親相姦中文字幕在线_日韩 欧美~中文字幕_國產亂倫在線看: The freedom to study how the object works and change it to make it to do what you wish. Access to the complete design is a precondition to this.

Freedom 2: Redistribute the object and/or design (remanufacture).

Freedom 3近親相姦中文字幕在线_日韩 欧美~中文字幕_國產亂倫在線看: The freedom to improve the object and/or design, and release your improvements (and modified versions in general) to the public, so that the whole community can benefit. Again access to the complete design is a precondition to this.

近親相姦中文字幕在线_日韩 欧美~中文字幕_國產亂倫在線看Some other things, however, are different - largely because tangible goods always have intrinsic costs derived from the use of raw materials and production (both mechanised and/or labour).

近親相姦中文字幕在线_日韩 欧美~中文字幕_國產亂倫在線看The image below represents the usual structure of an open source approach. You can see that the first version of the product has spawned many other versions and typologies.

Above shows the evolution of Linux through an open source process.

近親相姦中文字幕在线_日韩 欧美~中文字幕_國產亂倫在線看In open source hardware there are some similar cases close to the original open source structure; for example one of the most well known is the “rep rap” - one of the original 3D printers - which is actually, however, a mix of hardware and software.

In the practice of open design (or open source design), a standard behaviour is the sharing of the project amongst consumers and users through an open source license, so that anyone can produce it by themselves, for example in a fablab. They can of course also buy the product directly from the designer or maker and build it at home.

The big picture

This kind of manufacturing can partially change the common idea of industry based on mass production and introduces “on-demand” personal fabrication. As Massimo Bianchini and Stefano Maffei have observed:

“Contemporary cities could therefore be animated by digital manufacturing micro networks and micro-chains integrated with the metabolism (energy, materials, commodities) of an urban ecosystem; and they could produce new material cultures starting from the intelligent use of the territorial capital of resources and skills considered from a bioregional perspective”.

近親相姦中文字幕在线_日韩 欧美~中文字幕_國產亂倫在線看In this field there are lots of different case studies that underline the growing importance of this kind of production, and I usually divide them into three different categories: ‘global for local’, ‘local for global’ & ‘local for local’. An example of the first case (global for local) is the Opendesk platform itself - which aims to facilitate the whole process of open manufacture by connecting you - though the online platform - to your nearest maker.

Third industrial revolution?

近親相姦中文字幕在线_日韩 欧美~中文字幕_國產亂倫在線看In conclusion we can say that we’re beginning to see a real democratisation of consumption, which stems from this bottom-up approach. There are although, lots of issues that still need to be grasped and studied - such as the real use of open source processes in the creation of objects, the role and approach of the designer within this new way of production and of course the need to increase the accuracy of physical characteristics for objects produced by digital fabrication processes. But there’s the will - so the way will follow…

Thanks to PHD hopeful Silvia Gasparotta for this article. If you’d like to contribute please send an email to fieldguide@clowardpivenstrategy.com

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